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Showing posts with label vikings. Show all posts
Showing posts with label vikings. Show all posts
To understand our own mortality is one of the biggest markers of being human. To seek to control it, even more so.

True, we're not sure whether the anticipation and understanding of death is uniquely human, and there are certainly plenty of arguments to suggest that some animals understand death too, but it might be that the concept of a soul that couples with the idea of death is entirely a human construct. In this way, humans would truly be unique.

In his book 'The Buried Soul', the archaeologist Timothy Taylor takes a close look into when it was that humans first started to create the concept of a soul and started to try to define and control their own mortality -and by extension - immortality.

One of the greatest problems with pre-history and early history is the difficulty in source materials and, by extension, the difficulty in stepping into the minds of those in the past. "The past is a foreign country" a wise man once said, and we are often scant-informed tourists. As an archaeologist Taylor is well aware of these problems and how these have led to what he believes are misinterpretations of the cultural data of mortality in the past, often due to anachronisms created when historians put their own modern cultural perspective onto the remnants of history. Too often we either assume that our ancestors thought and acted exactly like us (and therefore we reject the more distasteful parts of their cultures as false), or we view them as barbarians and so don't bother to properly unpick the layers of why their actions were important and unique to them. While Taylor runs through a whole host of different death cultures, it was his treatment of the above issue that I found the most valuable and interesting in the book.

For example, Taylor centres the majority of his book around unpicking an understanding the funeral of a Rus (Viking) chieftain, returning to the vividly described scene as each of his arguments shed more light on it and the mindsets of those involved. In this funeral we have a rare written account provided by an arab ambassador about how the chieftain was interred in the ground while a huge ship and scaffold were created, ready for his cremation. When complete he was disinterred and laid on a great bed on the ship. Of his slave girls, his favourite apparently volunteered and took part in a seemingly strange and brutal ceremony. She was given the rings of engagement, as if she was betrothed to the chieftain, and, heady on ritualistic wine, went to each tent of his closest men and slept with them. Afterwards she was lifted up above three houses, announcing that she could see her parents and others waiting for her in the afterlife. When she went to the great building of the ship she reportedly found herself hesitating and was encouraged inside. The rings were removed, she lay on the bed next to their chieftain and, with a noose tightening around her neck by the old women dubbed the 'Angel of Death', she was brutally raped by seven men as the crown outside drummed their shields to drown out her screams. 
Timothy Taylor
Why did this sequence of events occur?
How reliable is the account?
What purpose did the brutality serve and what was the slave girl's investment in it?
Why on earth do some historians reject the brutal realities and simply sign off with dismissive statements like: "The happy girl thus went to Valhallah?"
What does this ritual tell us about the purpose of death culture, and the potential danger that the chieftain's soul posed to the mortal living?

Taylor answers all of these questions and more with care and convincing evidence. In doing so he also looks into another brutal and controversial element of history: cannibalism. Since the 1970s it has been fashionable for historians to reject cannibalism altogether, finding it more comforting to assert that it never actually happened and was instead a racist accusation or a misinterpretation of evidence, to the point where I assumed this was likely. But Taylor challenges this in a very convincing manner, taking the stance that cannibalism was - and is - commonplace, but served very different purposes for different cultures, all of which features importantly in how these culture interacted with death and funerary rites. Cannibalism isn't something that belongs in a horror movie, but instead can be a legitimate, useful expression of grief that should not be ignored simply because it is distasteful to western historians. I must admit, after the reading the book, I'm pretty darn convinced he's on the right lines.


In the end, I know that in this blog I tend to trot our reviews of books that I like, leaving those less interesting neighbours by the wayside. But out of my pick of excellent books, this really is one worth paying attention to and picking up for yourself. Taylor's combination of engaging narrative writing as well as the exciting (and potentially controversial) views he has of the pre-history and history he knows so well, makes this a book that is both entertaining as well as being genuinely academically important for any interested in the subject. It certainly convinced me to re-evaluate how I looked at various elements of cultural history, which I think is worth it's weight in gold.

What's more, I couldn't put it down. For a non-fiction book is very high praise indeed. 



More Great Books and Media on Mortality and the Human Imagination:
- Sapiens, a Brief History of Humankind - By Yuval Noah Harrari
- The Self Illusion - by Bruce Hood
- Paranormality - By Richard Wiseman
- Gunther Von Hagen's Autopsy Series

Did everyone enjoy this week's viking-filled Doctor Who episode?

What really stuck out to me was the set design as they created a very realistic viking village., with it's longhouses and willow fences. And the costume design really felt spot on (putting aside the ever-present controversy of whether vikings wore horned helmets or not).

From the Doctor Who episode The Girl Who Died
















Seeing it all in the flesh got be thinking back to my visit to York, where I took in it's perhaps most famous attraction: Jorvik Viking Centre.

Jorvik Viking Centre should perhaps be labelled more of an experience than a traditional museum.

Overall it's quite small and while it does have quite a number of interesting exhibits in it's glass cases, it's primary purpose is to help you experience the viking past of York in the flesh, and it does this through a disneyland-esque ride through a creative ancient village.

Manned by friendly staff members in very authentic looking viking clothing, you're bundled onto what looks like a rollercoaster seat suspended from the ceiling where you can relax and select which audio tour you would like to take you around the place. As well as foreign language options, they have a nice touch in that you can have an adult voiceover or a child-friendly voiceover. Then you're off, pulled gently through into a gloom of timber and odd smells as the authentic experience begins.

Builders taking a break

A fair bit is touched on here, such as the architecture of the longhouses and the ingenuity involved in building them on multiple floors, and as you move through the village they have taken the care to include some of the older buildings too, to show how viking technology improved over time. You are guided through a village that is set out in a layout based on actual excavations found in York. The most interesting aspect is the wax people, who are animated and always at work and play as the tour shows you viking markets, what people did for a living, and even what they argued about! An attention to detail that I really loved was that the audio tour-guide was presented as a real person who would interact with each wax-person in their native Nordic language. Hearing the ancient language spoken out loud by multiple people really gave you a sense of reality and a fondness for the people in this small but carefully realised village.




The whole exhibit has a sense of humor that is certainly great fun for kids, and there's even a silly bit of toilet humor towards the end to keep them (and grown-ups) giggling.

Over all the Jorvik Centre is a fun way of spending an hour or so. In my opinion, while it can't compare to the York Castle Museum for a traditional museum experience, it is trying something completely different by offering you a step back in time. If you have young children or an appreciation for the craftsmanship involved in creating this experience it's definitely worth checking out.


For My Reviews on More Interesting Museums and Historical Landmarks...

-Osborne House (The Isle of Wright)
-Stonehenge (Wiltshire)
-The General Cemetery (Sheffield)
-Chatsworth House (Bakewell, Derbeyshire)
-Bishop's House (Sheffield)









Antikythera mechanism
History has a habit of erasing itself and sometimes our ancestors really surprise us.

Often the nuances of what really occurred throughout history is lost, often by wilful erasure or through misfortune. Western history, on the whole, has a significant preference for keeping things narrative: we like the idea of marching nobly forwards and into increasing technological and cultural sophistication. We love to think that with every generation we improve ourselves and evolve and, as a result, often we view our ancestors as primitive and - horribly- even stupid.


But, of course, they weren't. And history in reality can come in all shapes, not just linear. Sometimes the technology that we view as 'modern' existed much, much earlier and, for some reason or another was lost of future generations.



For example, the popular conception of Japan has always been one of skilled samurais and, following the Tokugawa period in Japan, guns and gaijin influence were banned. Many people, looking to Japan, view gun culture as invasive and unnatural, dragged in by foreign influence. But, in reality, guns had been a part of Japanese weaponry since 1270ad, and it was due to political influences that this technology was wilfully rejected and, eventually, forgotten. Firearm technology stalled, missing out on hundreds of years of potential development.

Niokla Telsa is another example of lost potential. A legendary figure now among geek-culture, Telsa was said to have developed to have proposed a directed-energy weapon and even been able to remote-cast energy across large distances for free: something that could have catapulted the world into what we nowadays view as science fiction. But, due to pressure and theft by Thomas Edison, among other issues, so many of these ideas were never able to be developed.

Finally, even analogue computers are thought to be far, far older than we had ever anticipated. The discovery of the Antikythera Mechanism shook the world, as it showed that even the ancient Greeks had access to complex gear-work mechanisms that wouldn't resurface again for hundreds and hundreds of years and which had somehow been lost to their ancestors.
How might life had been if we had kept track of this technology and developed it?



The Antikythera Mechanism

This week I'd like to leave you in the hands of the brilliant Cracked.com, as they tell you about five fantastical ancient devices that prove that our ancestors were way more advanced than they often seem. 

The Lycurgus Cup, the Uunartoq disc, the salt drills of ancient China, the iron pillar of the Qutb Complex and Heron's programmable robots all show that our ancestors were very, very smart cookies indeed.

5 Advanced Ancient Technologies that Shouldn't Be Possible