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Showing posts with label Georgian. Show all posts
Showing posts with label Georgian. Show all posts
I love York.

It's the ancient capital of the North and has always been a brilliant spot for a tourist who loves a bit of history. From the city walls to the Shambles to the minster, you can really breathe in the layers of age in this place, so it's of no surprise that the city's museums are also excellent. When I visited recently I decided to check out the biggest and most eclectic example: York Castle Museum.

The Clue's in the Name

York Castle Museum is a large Georgian style building that sits at the base of Clifford's Tower and has a significant amount of history of its own. It sits on the grounds of York castle, which was built as a timber structure by William the Conquerer in 1066 and included a prison. in 1244 it was converted to stone and was used until it fell into disrepair in the 1340s and recieved a further battering in 1644 during the civil war. By 1705 all but Clifford's tower was demolished of the old castle and in its place a new debter's prison had been built in its place. 1780 saw the expansion of a whole new women's prison alongside it and by 1835 it was modernised into a large 'model' prison with new buildings. Come 1929 the victorian 'model' prison was demolished, leaving the older buildings to be creatively used for the new museum.

So What's On Offer?

York Castle Museum is probably the biggest and most eclectic museum I've visited. (Though I've got my eye on you, British Museum. Soon, my precious, soon...) The museum itself is divided into two wings - the women's prison building and the debtor's prison building - but otherwise takes you on a relatively linear journey through several fascinating exhibits.

The Period Rooms

York castle museum has a brilliant attention to detail when it comes to the exhibits, and this is shown off to it's fullest in the period rooms. As you move through the exhibits you can peek inside full scale rooms set up from different time periods: the 1870s, rural 1850s (including the fascinating witch ball ornament), 1780s (including a dummy houseguest used to deter burglars), and the 1600s. Each section looks well lived in and has it's own curious features that are worth investigating.

Toy Stories

From the darker fussy period interiors you are suddenly pulled into a land of colour with the toy story exhibit which showcases toys from 150 years of history. It's a mixed bag: while there are some beautiful objects like the punch and judy dolls and 'Gilligan's Galloping' miniature carousel, the exhibit is bogged down in being cluttered with a mis-match of donated toys from the general public all dumped together in one place, which looks to be honest rather like a car boot sale. However, in here there is also another period room set up like a 1950s birthday party which is definitely worth a look for it's authenticity.


Gilligan's Galloping Carousel


From Cradle to Grave

As you move from the bright world of toys you head downstairs to a more traditional museum exhibit that shows the development of midwifery and of funeral culture. Here the mix between donated items and public testimony and more formal exhibits is more balanced and you get a real sense of the personal journeys of new mothers. Sat in the centre of the room is an imposing wax sculpture of a victorian funeral carriage alongside examples of the development of victorian mourning culture and all the curious layers of etiquette that came alongside it. Things brighten up again with a display on marriage and a series of wedding dresses through the ages. i was most interested by the 1940s example that stuck out like a sore thumb among the finer gowns, showing the humility and creativity needed from brides in the war years when rationing was at its height.


Part of the wedding display


The Hearth Gallery

Similar to the period rooms, this exhibit recreates a series of kitchens, showing how this centre of the home developed over the years with each new bit of technology. It's a perfect display for anyone looking for a bit of nostalgia, taking you through the 1940s and 1980s kitchens that so many of us will remember before guiding you through to older examples. look out for the absolutely massive taxidermy bull's head of 'Pat the Giant' in the farmhouse kitchen - he was a beast, weighting in at 254 stone back in his glory days.


One of the excellent storefronts of the Victorian Street


'Kirkgate' - The Victorian Street

This is easily one of the best museum exhibits in the country and is a really magical experience. Kirkgate was originally designed by the museum founder Dr.Kirk to perfectly replicate a real victorian street, filed with shop businesses that actually existed in York at some time or another. 
I came to York castle Museum as a very young kid and Kirkgate is the only vague memory i have of it: i remembered being completely blown away by the dark moodily lit streets, beautiful shop fronts and the fantastic real examples of horses and carriages that stood there. now as an adult revisiting the place it was everything I remembered and more. The street is surprisingly large with it's main street, back allies and several shops and homes that you can step inside and explore. It would honestly make even the most established movie set feel a little envious. The shop windows are authentic examples filled with original items and give you a real sense of the variety of items that were available for the casual victorian shopper, and these are supported by copies of real posters and adverts on the walls of the streets. What's more, there's a neat day-to-night transition that takes place, giving a real moodiness to the streets as darkness falls and a fresh optimism as day breaks. It's a brilliant experience that is a must for adults and kids.


A recreated apothecary


1914: When the World Changed Forever

Head across into the debtor's prison and you can enjoy a new exhibit that deals with the first world war. We've recently had the centenary of WW1 so you're no doubt familiar with the period of history, however for me it's always interesting to learn more about the 'less famous' world war: the one where there wasn't a simple good vs evil narrative and it was really just a load of allies clustering on top of one another because of a confused sense of political duty. The exhibit is as creative and varied as ever, with trenches recreated, train carriages set up, painted murals of the battlefield, as well as a whole series of interesting artifacts, such as the papier mache 'dummy head' that was used to draw fire in trench warfare. Towards the end of the exhibit things get a little naff with community project pieces, but that's my personal taste.



A Dummy Head to draw enemy fire


The Sixties

From the austerity of war you're booted into another street-eque exhibit that is set in the 1960s. the bright colours and classic icons are certainly engaging, but in my opinion it doesn't really tell you very much of substance about the 60s and seems more like a collection of common pop art that they've now got an excuse to sell you replicas of in the gift shop. but again, I've never been a fan so it's very much my opinion. the design of the exhibit itself is certainly pretty, though.


Sixties flower power


York Castle Prison

The final prison exhibit gives you a rather grim but interesting glimpse into the history of the museum itself, as you are taken down into the debtor's prison cells and the corrupt prison life of the 1700s is put on show. I like that it doesn't go full on York Dungeon on you and become an exploitative bit of tripe. Instead it speaks unflinchingly of life there while also catering to your natural curiosity. Interestingly Dick turpin himself was held at york prison in 1738 where is gaoler used to make £100 from selling liquor to Turpin's visitors while the famous highwayman entertained the crowds by recounting stories of his daring deeds. Elsewhere in the museum, the most interesting items for me were the preserved slabs of stone that held prisoner's graffiti from hundreds of years ago. there isn't a whole lot to look at down here in items, but you can really appreciate the architecture. In each cell there are projections of the usual am-dram actors recounting the stories of people who lived there. If you can get past the often iffy acting (let's be honest, it's a museum. the acting is always bad!) their stories are on the whole quite interesting.



So Should You Visit?

Definately! In my opinion York castle Museum is worth a visit for the fantastic Victorian street alone, but it also offers a very varied experience that's definitely worth checking out. Two thumbs up.




I love weird history. While at times it can be gimmicky, it's always illuminating. Social history at its best.

So, fellow readers, you're probably not surprised that I loved Melissa Mohr's "Holy Sh*t: A Brief History of Swearing." I mean, come on. Look at that title, then look me in the eye and tell me that this wouldn't be a great book.

Admittedly, when you pick this off the shelf it's likely for the same reason why you flick to the dirty words in the dictionary or why you put Who Cut the Cheese? on your Amazon wishlist - you want a dirty snicker while education floats vaguely in the background as plausible deniability. But Holy Sh*t is a lot more than an excuse to see scatological humour and swearwords in an academic setting. Through pulling apart two versions of swearing - 'the holy' (curses and oaths) and 'the shit' ('dirty' swearing) - and tracking their development from the Romans to the modern day, Mohr provides a fascinating and insightful lens into our cultural development. Look to what offends a culture most and you will often see what it values most. Focus on what's classified as good manners and how these are broken, and you will always find what the history books are so often trying to hide.

In her journey through the history of swearing Mohr keeps her tongue firmly in her cheek, but treats her history with respect and meticulous detail when it's important. I would even recommend this book alone for her treatment of the history of God's emergence as a monotheistic deity in the bible, which is a fascinating and revealing read that demands a book of its own. By understanding how oaths  was used by God at his youngest in the bible, it informs us as to why they ('the Holy' swears) had such a power to 'hurt' him in the eyes of his believers, and how the power of these oaths died down by the Georgians to modern day.
Also fascinating, by explaining how medieval people were what we would now see as so vulgar - desensitized to 'the Shit' swears - she explains in illuminating detail the power dynamics of the time and why, at the brink before these became offensive, it was perfectly acceptable for Queen Elizabeth 1st to greet esteemed visitors with her boobs out.

For me, social history is always a great pleasure and I applaud anyone who is willing to put in the research to explore these more under-represented areas of history. Holy Sh*t: A Brief History of Swearing is a fantastic little book that you absolutely must go out and buy. 
You'll fuckin' love it.



Ever since the earliest of times, we humans have valued our hair.

The origins of such strange long head hair, contrasted with a relatively hairless body, has been a topic of debate for some years, but perhaps the leading theory is that sexual selection was at work. While long hair offers benefits of warmth in cold climates or protection from a hot sun, nevertheless it's likely that the existence of longer hair in largely due to associations of femininity or health. Whatever the reason, the longer head-hair was here to stay and humans, always eager to define their identities through their looks, jumped on the chance to get creative with their locks. This week I'd like follow the lead of the wonder Medievalists.net's recent post, and show some historical hairstyles that you can try at home.
Statue of Faustina the Younger

These come courtesy of  Janet Stephen, a hairdresser and amateaur archaeologist who was fascinated by how historical hairstyles were created. While many archaeologists and historians suggested that these hairstyles could only have been created with wigs, Janet instead discovered that through using a form of sewing in hairstyles, they could easily and quickly be replicated and used in the day to day. This breakthrough came in 2005 when, studying translations in Roman literature, she found that  the term 'acus' was likely being mistranslated. In the books, this was translated as a 'single-prong hairpin' but in fact it could also be translated as 'needle and thread'. Her theory was published in the Journal of Roman Archaeology in 2008 and she made a name for herself in historical circles.

"I could tell even from the first version that it was a very serious piece of experimental archaeology which not scholar who was not a hairdresser - in other words, no scholar - would have been able to write." John Humphrey, the journal's editor, explained.

Janet's practical work is shown on her youtube channel, where you can find out how to make such beautiful historical hairstyles for yourself, while also learning of where she found her sources.



Agrippina the Younger

 


Ancient Roman Hairstyles For Men

 


 Empress Plotina




Faustina The Younger 


 
 18thc 'Butterfly'/Papillote Curls



 I thoroughly recommend that you spend some time browsing Janet Stephens' youtube channel if you have any interest in fashion or history. 
For one she is an inspiration showing us how, no matter what your background, if you have interest, confidence, creativity and passion you can make a lasting contribution to the study of history. 
For another, her work is living proof of the value of experimental history and archaeology in how to bring what we read in the texts to life for for practical purposes and for emotional ones. In her study of these hairstyles Janet offers a unique insight to what had been an ongoing debate on historical hairstyles, but in doing so she also let us see with real intimacy into the lives of the people that made use of these hairstyles in the day to day. In how their family lives were set up (for example, why they needed someone else to do their hair), how they valued their appearance, and how much physical time and patience that these people would have had to give to making these creative styles happen. With such a life breathed into such a small but important part of these historical figures' daily routines, they are grounded and - as observers from the future - we can see just how like us our ancestors really were.


Sources

-Why is Human Hair So Long?
-Medievalists.net: Medieval hairstyles
-On Pins and Needles: Stylist Turns Ancient Hairdo Debate on Its Head