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Showing posts with label anatomy. Show all posts
Showing posts with label anatomy. Show all posts

A museum doesn't need to be big to be beautiful...
Green turtle foetus, displayed at the museum

This week marked the start of British Science Week, a nationwide celebration of everything cool about science. As part of it, on Friday was the university of Sheffield's Discovery Week, and I decided that after work I would finally do what I've been meaning to for years: visit the Alfred Denny Museum.

The museum forms part of the University of Sheffield's animal and plant sciences department and was created in 1905, back when the university was known as Firth College. It was created by the university's' first professor in biology, Alfred Denny, who pulled the collection together to aid his teaching. His lectures were engaging, often drawing in some 600 people and he was fascinated by the quirks and logic of evolution, so it paid to have practical items on hand to use as demonstrations.


The museum itself is located within the Alfred Denny building,just before the Arts Tower as you emerge from under the bridge at the students union. It's tiny, limited to only one room but when you find your way it to it instantly exudes a Victorian/Edwardian charm. The antique cabinets are absolutely jam packed with specimens in formaldehyde jars or displayed as bleached skeletons, to the point where i was quite taken aback. There was so much to see that you didn't quite know where to start.

Luckily the museum does have quite a good sense of order amongst all the variety, with each set of cabinets holding particular groups of animals. Jellyfish blend into molluscs and into sponges and arthropods, insects, fish, crustaceans, amphibians, reptiles, birds, mammals and even a human skeleton, all joined intermittently by beautiful fossils. 

There's a sense of grim beauty about the tightly-packed displays, especially when you happen upon the tiny examples of foetuses vulnerably frozen in time. Or when you find the more unsettling exhibits, such as a cluster of preserved bloatfly larvae in a horses' stomach. The skeletons are especially impressive - a must see for anyone who's got a little goth in them - but you can also find  exhibits with entire organ sets spread out for
consideration, with some even bisected completely.



It's clear that Denny made a wise choice when investing in this museum and it is certainly the best collection of educational taxidermy that I've seen in my travels so far. If you're in the area it's definitely worth checking out for yourself.




The Alfred Denny Museum opens to the public on the first Saturday of every month at 10am, 11am and 12pm for guided tours. 



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Stay curious!



For More Museum Trips...


- Wax Vikings: A Trip to the Jorvik Viking Centre
A Trip to York Castle Museum and the Amazing Victorian Street
- A Visit to Stonehenge



Teeth are amazing.

If there's one piece of wisdom that my mum always gave me, it was 'look after your teeth'. they're often one of the first things you notice about a person; you can grin cheerfully with them, sneer with them, grimace with them. They transform the structure of your face and are integral in keeping us well fed and rearing to go. Tooth enamel is the hardest substance in our body and we have created whole mythologies around their loss and regrowth (and many parents have anxiously tried to decide the proper exchange rate between fae and human currencies for the collection of said discarded teeth.) Today I wanted to take a moment to appreciate our gnashers with these 5 strange facts about our teeth.


1. People's Teeth Weren't Always As Bad As You Might Think


People often complain about the 'Hollywood smiles' in historical dramas. "No one would have perfect teeth like that!" They cry, launching their popcorn at Kevin Costner's face  on the screen as 'everything I do' plays in the background. But perhaps things are a little more accurate than you might imagine. While of course dentistry back then was often quite primitive and hygiene was not quite as it is nowadays, the image of black-toothed Dickensian crones as the common denominator isn't quite right, at least for anything before Elizabethan times.

During the reign of Elizabeth 1st sugar was imported from the New World with far greater ease and quantity than had ever previously been experienced. The aristocracy adored the new extravagant substance and were hooked. Sugar, as we all know, causes hellish amounts of tooth decay if unchecked, so it wasn't long before Elizabeth 1st and many of her peers had the stereotypical black teeth and stinking breath that we often associate with historical characters. By the 18thc and the caribbean slave-driven sugar trade, sugar was far more widely available to those of more modest means and the sugar-scarred smiles remained.

Before that, while people wouldn't have access to advanced orthodontic work and fluoride toothpaste, they nevertheless had comparatively healthy, whiter teeth.



2. The Overbite is a Modern Invention

(I, like many modern teenagers, had quite a bit of orthodontic work that lasted a few years. Teeth-straightening via the ol' train track braces were a breeze, my biggest problem was an overbite that made me look not unlike a ferret. Which meant I had to wear this hideous thing for months at a time all the time. Take a good look - that's two big blocks of plastic that interlock to shove your lower jaw forward. I had to eat and sleep with it in: just imagine trying to mash a sandwich between two blunt cubes of plastic that cover pretty much all of your molars. Fun. Admittedly, people have it a lot worse, but the little insult to injury is that 10 or 12 years later my jaw has gradually clicked back to how it used to be as if nothing happened. It doesn't lock up any more (more fun for young me!) but I will be forever cursed to look a little bit like a rodent or one of those snooty weak-chinned caricatures of snobs.
Ah well, at least I can be comforted by the knowledge that my hefty overbite is actually a pretty modern invention.

It's thought that the overbite appeared in western society only some 250 years ago when the knife and fork commonly started to be used together. Previously people would carry knives with them to chop up food, but generally if you wanted to eat you would take hold of one side of your meal and tear off pieces of it with your teeth like you were eating a KFC drumstick. This put more stress on the incisors and your teeth would naturally develop to meet together more like a grazing animal's. Without this, your incisors keep growing and an overbite becomes more prominent.

This trend was noticed by the anthropologist Charles Loring Brace after he had analysed 19,000 skulls from varying time periods. Notably, we can even see this in Richard III's skull when he was recently uninterred.



3. Anaesthesia was accidentally discovered by a dentist

Throughout history many of the most common and painful ailments were due to teeth problems, so it's perhaps no surprise that the field of anesthetics was pioneered by many dentists. One of the most important, and certainly unexpected, developments in anaesthetics was 'discovered' by Horace Wells. One day in 1844 he and his wife sat in on a demonstration of 'laughing gas' (nitrous oxide) displayed by the showman Gardner Colton. While Gardner had briefly studied medicine the show was for pure entertainment due to the amusing antics of anyone under the influence of the gas. During the demonstration one of Gardner's volunteers injured his leg quite badly with a gash as he gamboled around under the influence but seemed completely unaffected. Inspired, Wells chatted to him and found that the man was unaware that he had been injured. Wells got to work and enlisted Colton to help him experiment and the next day Wells bravely decided to have one of his own wisdom teeth extracted under the procedure by an assistant John Riggs. Wells didn't feel a thing and knew he was onto something special.

 The development of the anaesthesia method didn't always go smoothly and required much experimentation and many demonstrations to convince people of its effectiveness. Unfortunately Wells himself came to a rather sad end as he could not quite hack the like of a self-made anaesthesiologist and suffered badly from homesickness and loneliness when he moved from Massachussetts to New York to seek his fortune. He medicated his depression with an over-reliance of ether and chloroform that grew to such heights that he was often in a stupor between waking and dreams and lost all control. On his 33rd birthday he peaked in his drug-induced madness when he threw acid and two women in the street, but fortunately only their clothes were badly damaged. Wells was arrested and, finally growing sober enough to comprehend the depths of his own shame, he overdosed on chloroform and slashed a major artery in his thigh, committing suicide. It was a truly tragic end to a man we owe very much to in the field of inhalation anaesthesia.




4. Children's skulls look like this when they're growing adult teeth.

ARGH!
Awesome.

(Picture by Stefan Schafer)
Humans have twenty baby ('milk') teeth and eventually thirty-two adult teeth on average. Though nowadays with said above orthodontic work many adults carry on as normal with less. (I, for example, have 24 as I had 4 removed as part of getting my braces and for some reason or another at age almost-27 I still haven't grown any wisdom teeth.)
We're not alone in having a  double set - cats and dogs also have baby teeth, but lose them within a few weeks or months. Other animals either have one set (such as baleen whales), multiple sets that constantly shed (like sharks), or have sets that grow continually and need to be worn down (as with many rodents). So why do we have two sets?

Primarily it is believed to come down to skull size: as babies our skulls just aren't big enough for all the big strong teeth we need to last a whole lifetime. Human babies take it even one step back again, being born without any teeth at all. Naturally this makes breast-feeding less of a horror show, but it also is because human babies are so underdeveloped that they're really overly-precocious foetuses. So in the intense period of growing that a small child does, the baby teeth will serve them just fine. When their jaws begin to grow to adult sizes then new teeth will appear, being guided by the original positions of the slots of the baby teeth. Pretty neat!


5. Your tooth can even be used to cure a certain kind of blindness....

It remarkable what medicine can do with a little creative engineering. Check out this video about a Minnesotan woman who , after having her tooth taken out and turned into a lense for her eye, can see again in one eye after being blind for nine years. She tells us in her own words about how many funny looks she gets, but most importantly about how amazing it is to be able to see her grandchildren for the first time.






Sources




There Are Few Spectacles Quite As Controversial as Cutting Apart a Dead Body on TV...

Today I wanted to review the DVD series 'Autopsy' by Gunther Von Hagens, which I have been watching quite a bit of over the last few weeks.

Gunther's greatest claim to fame is his development of the plastination of human remains and his choice to use this technique to perform live demonstrations as well as to display plastinated bodies as an often strange blend of art and museum piece.  He performed the first public autopsy in the UK in 170 years which 'her magesty's Inspector of Anatomy' warned would be a criminal act under section 11 of the Anatomy Act of 1984. The show was attended by policemen but they did not intervene and in 2002 the show was shown in full on Channel 4, generating 130 complaints to OFCOM for 'sensationalism'. Despite this he carried on further shows with success and some of these were then turned into a DVD boxset that features 'Anatomy for Beginners' (2005), 'Autopsy: Life and Death' (2006) and 'Autopsy; Emergency Room' (2007).


Gunther mid Autopsy

 Whatever your views about Gunther Von Hagens and his plastination of bodies for display, it is hard to argue that they are not fascinating and educational. The DVD boxset brings us something unique and remarkable to watch: live dissections of real people, which is certainly a rare experience.To take an example, 'Life and Death' deals with the reasons behind common causes of death. He is joined with the lecturer John Lee to explain the details of the biology at work which is to be demonstrated to the audience. On hand are a pair of nude live models to act as a go-to comparison and a series of plastinated examples of organs. But, most emotively, there is also a 'fresh' corpse that is wheeled out to the audience in the studio and at home to demonstrate first hand the diseases and concepts they discuss. 

It's a shock to see a person dead and naked on a slab, even if their faces are respectfully covered, and even more so when they are cut away and experimented on during this educational autopsy. Like the people who crowded around live dissections in the past, or the medical students today, you are brought into an intimate and very challenging scene. The matter of fact treatment of the body as it is  cut apart to demonstrate each concept is eye-opening in itself and, naturally, rather unsettling especially when alongside are living counterparts so close-by. But when you move past this knee-jerk reaction you find yourself in a privileged position and there is no doubt that being able to witness this all in such detail is really rather special. What's more, Gunther's genuine enthusiasm for the anatomy coupled with his respect to the body and those potential donors sat in the audience leave you in no doubt about how importantly this unique and often visceral education really is. You're not likely to learn more about practical human biology from any other programme, that's for sure.

If you'd like something a little different to help you learn about human biology, I would thoroughly recommend the Autopsy series. It's a unique an insightful experience with a very firm basis in fact and practical demonstration which showcases the ingenuity of our talented doctors and the resiliency and fragility of our own beautiful bodies.



A plastinated heart